Dreams: 2D/3D - An Upcoming Exhibition
Dear Reader,
If you haven't visited Providence, Rhode Island and its vibrant
art scene, I highly recommend it. One of the key players in
making art an important part of the Providence landscape is
the owner of Gallery Z (www.galleryzprov.com). His gallery is
"the granddaddy of Federal Hill art galleries" and
"one of the busiest, thanks to both its energetic owner,
Berge Ara Zobian, and to an ever-changing array of exhibits
featuring works by local, national and even international artists"
(The Providence Journal, 5-14-2009).
I have enjoyed having my work in Gallery Z since 2005, when
I answered an ad in ArtNews for an upcoming small works
show, and he accepted three of my paintings.
On April 3rd, 2009, I received a phone call from Berge. Our
conversation left me jumping up and down with excitement, because
he had invited me to be the other half of a summer 2010 duo
exhibit with Julian Penrose, a sculptor who creates thoughtful
and beautifully designed assemblages.
Summer 2010 may have seemed far way at the time, but experience
has taught me that "far away" has its way of shrinking
fast, so I put the notes from our conversation into a folder.
Every time I thought of something---a question, a theme idea,
anything at all, I jotted it down. It helped to prepare me for
the inevitable decision-making and future meetings necessary
to bring an exhibition to life.
Fast forward to solid planning stage, which was a mid-January
meeting in Providence with Berge and Julian. I brought a CDROM
of about 30 paintings I thought appropriate, as well as some
of my latest work. The meeting was lively and productive. We
firmed up dates for the exhibit (July 7 - August 28), reception
dates, and WOW! a duo poetry reading/artist's talk on Saturday,
August 7th!
It felt great to be treated so professionally. Thank you, Berge
and Julian.
We discussed possible titles; Julian and I agreed to collaborate
on one that would compliment both of our styles. We did that
and agreed upon Dreams - 2D/3D.
The next step is a challenge: writing an exhibition statement
for Dreams - 2D/3D. How does the title fit this work? Why "dreams"?
How can dreams have dimension (2D/3D)? What words will engage
and tantalize people who come into the gallery and/or visit
the web site?
Random Thoughts and Research
I sat down with books and paper and began to make connections
between the title and the work. This is what I wrote: The word
dream conjures up multiple meanings and seems appropriate
to describe artwork in this exhibition. Dreams are close to
imagination, that ability to create thoughts and images we think
are unlike any previously known to others. Dream images are
created in an unconscious state; art is created in an imaginative
state while awake.
Dreams in 2D and 3D! What a leap (or act of faith in the artistic
process) to say that something as ethereal as a dream can have
dimension. It seems to contradict a dream's essence, that is,
it has no essence. Dreams are frail in the face of reality.
Most of us have experienced dreams while sleeping and forget
them soon after waking.
What can dreams mean to an artist and poet? Lots of ink has
been spent on teasing out the possibilities. Rather than describing
myself as a surrealist, I admit to being a person with the spigots
of imagination wide open. The traditions of surrealism have
given me a set of concepts to work with, the ability to accept
fiercely different juxtapositions, permission to take an image,
either painted or written, as far as it will go. I know about
surrealism and apply its principles, but I do not think about
it. In fact, my mantra while painting and drafting, is paint
(or write) and don't think, which was Paul Cezanne's
advice.
Definition of surrealism from The Yale Dictionary of Art
and Artists - "Breton overcame his fellow-writers'
reluctance to accept the possibility that art could be Surrealist
He
also asserted the centrality of automatism as giving access
to imagery, and this led to giving renewed priority to marks
and signs and to the use of found or random textures
Detailed
accounts of real or invented dreams
tie art back to the
19th century naturalism
" (page 673).
Dreams - a series of thoughts, images and sensations occurring
in a person's mind during [REM] sleep.
Do the colors and textures in Julian's assemblages and in my
paintings represent dreams? They are disparate shapes, sizes,
lines, textures that did not exist before they were assembled
by us. We draw from old lives to create new ones.
How can a viewer connect to a piece that sprang out of someone
else's imagination? We share a language of shapes, forms, lines,
colors and textures. We offer our work and hope for a transaction
between the viewer and the art object.
Next, I tried making a list.
Dreams -
have no substance (art does)
are individual inventions (art is)
invite analyses (art does)
seem rooted in emotional, rather than intellectual, response
(some art does)
seem real, but are not (art is real)
are a perceived experience (art is and isn't)
are not all that interesting to some (art, too)
are confusing (art can be)
are clear (art can be)
are frightening (art can be)
happen in the mind (where response to art resides)
happen in sleep (art is accessed while awake)
I looked at Sigmund Freud's take on dreams. He thought of them
as "day residue" often instigated by the preceding
day's events. He insisted that both poetry and dreaming are
nothing more than "defensive measures designed to substitute
pleasure for reality" [Art & Dreams - Answers.com/Reference
Answers]. That could also be an answer to the age-old question:
What is art?
I read poetry with dream references. This stanza from Edgar
Allen Poe's "To One in Paradise" caught my eye:
And all my days are trances,/And all my nightly dreams/Are where
thy grey eye glances, /And where thy footstep gleams-/In what
ethereal dances,/By what eternal streams.
In the next few weeks, I will struggle to write a clear statement.
At this early drafting and messy thinking stage, it is important
to hold back the editor and search for the meaning of Dreams
- 2D/3D. Wish me luck.
Judy@paletteandpen.com