Photo Credit: Jennie Anne Benigas
 

 

JUDY'S JOURNAL

October 2025

Knowing my penchant for abstraction, my exhibit statement would stress the difference between a photograph and my interpretation of it.

 

 

 

 


Echoes – an Art Exhibition

Dear Reader,

Several months ago, I was asked by the director of a local gallery space to think about mounting an exhibition of my late husband John Gaumond’s photographs and my work. At first, it was one of those idea seeds that did not seem to land in fertile soil. But then, a bright green sprout emerged, much to my surprise. Why not select ten of John’s signed, matted and framed photographs and create ten artworks based on each one? It could be a wonderful way of honoring John’s talent. The sets would hang side by side, with my work echoing his. Knowing my penchant for abstraction, my exhibit statement would stress the difference between his photographs and my interpretation of them. I could compare them to films being made from books, being not-too-faithful adaptations at that.

I proposed the idea to the director, and it was accepted for September-October 2026. Now to find out if I could actually do it! An idea is an idea, but the transition into reality might not be within my creative reach. I disclosed my hesitation to the director and was given the option of redesigning the exhibition with work of my choosing. Open doors all the way.

I chose the first of John’s pieces and walked around for a couple of weeks thinking about how to begin. I studied it intensely, absorbing the colors, the light and the design. Then what? Canvas? Paper? Collages? Mixed media? Paints? Ink? Crayon? Oil pastels? Sketch? Trace? Yes, tracing the composition seemed like a good beginning. I decided to use 12” by 12” canvas paper, because it would hold up under gooey applications of medium that hold layers of paper together and could be matted and framed, like John’s work. I started transferring the design by tracing and cutting the sections onto the canvas paper. I reached for art tissue to create the shapes and stepped into the non-verbal world of art making.

As I type this blog, I am set to begin my fourth “echo” of John’s photographs. But here is the first set:


“Copenhagen, Denmark – 2004” – John Gaumond



“Echo One” – 2025 – Judith Ferrara